The Goretti Project

A novel-in-stories

In 1902, an Italian girl named Maria Goretti faced a grave temptation. A man implored her to give what should only be given in holy matrimony. But Maria, overflowing with virtue, declared she would rather die. In turn, this man stabbed her fourteen times with an awl. On her dying breath, she forgave him and wished only for his salvation. Canonized as a virgin martyr, she became one of the youngest, most beloved saints in Catholic history.

A century later, in 2002, I heard Maria’s story in my eighth-grade sex education class. As an Italian girl myself, I connected with her in both earnestness and horror. Could I be good like Maria? Am I brave enough to die for my virginity?

Maria Goretti devotional holy cards for sale at a market stall, three euros
YouTube video thumbnail: Maria Goretti, the girl who forgave her killer
The wax-covered body of Maria Goretti in a glass reliquary

Today, I live in a country where 40% of women have experienced gendered violence. Meanwhile, Maria’s skeleton tours the U.S., stopping at 54 churches to remind us to be pure, chaste, and forgiving. This dissonance led me to ask not only what actually happened to Maria, but also who benefits from continuing to tell this version of her story.

The Goretti Project is a novel-in-stories that reclaims and interrogates the hagiographic myth of Saint Maria Goretti. Beginning with her murder in 1902, the novel follows how her myth was created and weaponized over the next century to serve the ideological aims of the Catholic Church.

Pilgrim buses parked outside the Basilica of Our Lady of Graces in Nettuno for the beatification of Maria Goretti
Vintage portrait of Assunta Goretti with her young daughters Teresa and Ersilia
Carabinieri leading Alessandro Serenelli in handcuffs through a crowd after the murder of Maria Goretti

Each story is told from a fictional perspective at a critical moment in the myth’s lifespan. The first recounts the events leading up to Maria’s death through the eyes of her best friend, Lucia Cimarelli—the fictional daughter of Maria’s real-life godparents and neighbors. Subsequent stories unfold chronologically with overlapping characters and interwoven details. For example, the second is told from the perspective of Principessa Barberini and picks up at Maria’s funeral, which became an aristocratic spectacle the Goretti family did not attend.

I’ve conducted extensive archival research including translating primary sources that were previously only available in Italian (e.g. newspapers, court records, tribunal transcripts, and devotional texts). I’ve applied a feminist lens throughout to analyze the systems of power and control.

Front page of an Italian newspaper reporting on the death of Maria Goretti
Book cover related to the life and story of Maria Goretti
Book cover related to the life and story of Maria Goretti
Book cover related to the life and story of Maria Goretti

While the Goretti Project is rooted in historical realism, this is a work of fiction that invites readers into the rooms where Maria’s story was shaped and into the hearts of those who live with its consequences.

You can follow along on my dedicated site, launching soon! 💜